(c) Joerg Brueggemann / OSTKREUZ
CREATION / MUSIC / THEATRE

Nach den letzten Tagen. Ein Spätabend

CHRISTOPH MARTHALER, ULI FUSSENEGGER, DURI BISCHOFF, STEFANIE CARP
21 Aug
1 Sep
  • Wed 21 Aug
    20:00 – 22:30
    First performance
    Ruhr-Universität Bochum, Bochum
    Auditorium Maximum
    sold out
  • Thu 22 Aug
    20:00 – 22:30
    Performance
    Ruhr-Universität Bochum, Bochum
    Auditorium Maximum
  • Sat 24 Aug
    20:00 – 22:30
    Performance
    Ruhr-Universität Bochum, Bochum
    Auditorium Maximum
  • Sun 25 Aug
    18:00 – 20:30
    Performance
    Ruhr-Universität Bochum, Bochum
    Auditorium Maximum
  • Wed 28 Aug
    20:00 – 22:30
    Performance
    Ruhr-Universität Bochum, Bochum
    Auditorium Maximum
  • Thu 29 Aug
    20:00 – 22:30
    Performance
    Ruhr-Universität Bochum, Bochum
    Auditorium Maximum
  • Fri 30 Aug
    20:00 – 22:30
    Performance
    Ruhr-Universität Bochum, Bochum
    Auditorium Maximum
  • Sat 31 Aug
    20:00 – 22:30
    Performance
    Ruhr-Universität Bochum, Bochum
    Auditorium Maximum
  • Sun 1 Sep
    18:00 – 20:30
    Performance
    Ruhr-Universität Bochum, Bochum
    Auditorium Maximum

In response to the rise of nationalistic chauvinism in many countries in and beyond Europe, in his new creation for the Ruhrtriennale 2019 Christoph Marthaler will examine the decline of open democracy. In the years running up to 1914 ideologies fermented that subsequently discharged themselves in two world wars and the holocaust. Now we are witnessing shockingly similar statements in politics and public life. In many European countries democratic structures threaten to give way to a new totalitarianism. Adopting nationalism and racism to defend longestablished patterns of ownership appears to be more attractive than a transnational project of enlightened European individuals and an open, diverse society. Anti-democratic and aggressive exclusion, nationalism, racism and anti-Semitism have once more become socially acceptable. In the first half of the 20th century, with similarities to today, people were marginalized and eliminated who had been deemed unserviceable and outsiders.

The project’s musical core is dedicated to composers who were forced to leave Prague and Vienna such as Pavel Haas, Viktor Ullmann, Alexandre Tansman, Józef Koffler, Erwin Schulhoff, Gideon Klein, Szymon Laks and Erich Wolfgang Korngold. They were deported, murdered or forced to emigrate. Many of the works featured were written in the concentration camp Theresienstadt and some of them remain fragments. Viktor Ullmann wrote the notes of his final composition immediately before he was deported to Auschwitz.

This music will be placed in an imaginary parliament whose members give documented speeches from the period before the First World War, the present and those of the near future testify to the catastrophic collapse of civilization. The production will be created for the Auditorium Maximum of Ruhr-Universität Bochum, which will be transformed into a world parliament in which we as spectators from the present and a recognizable future look upon a Europe that has been destroyed.

Auditorium Maximum
Ruhr-Universität Bochum
Universitätsstraße 150
44801 Bochum

More at this location:
Auditorium Maximum

The Auditorium Maximum was constructed at the beginning of the 1970s for the newly-founded Ruhr-Universität Bochum. Its architecture contains a utopian promise. Its large, circular forum aspires to a public life that is communal and non-hierarchical. Our society has now distanced itself more than ever from this objective and the energy that formulates such aims is currently being manipulated by corrupt elites throughout Europe and the world. When Ruhr-Universität was founded, the first mines had just been closed. Education and participation for all were the new spirit of the future and made Ruhr-Universität Bochum one of the most interesting universities in Europe.

Christoph Marthaler’s new creation is produced in co-operation with the Ruhr-Universität Bochum. It will be accompanied by a symposium before the Ruhrtriennale begins in which local academics and international guests reflect together with the audience on the crisis of representation

Cast

Director Christoph Marthaler
Musical direction Uli Fussenegger
Texts, concept Stefanie Carp
Stage design Duri Bischoff
Costume Design Sarah Schittek
Co-Costume Carola Ruckdeschel
Light Design Andreas (Phoenix) Hofer
Sound Design Thomas Wegner
Co-Regie Gerhard Alt
Co-Dramaturge Malte Ubenauf
Co-Lightdesign Victor Duran
With Tora Augestad, Benito Bause, Carina Braunschmidt, Bendix Dethleffsen, Walter Hess, Claudius Körber, Katja Kolm, Stefan Merki, Josef Ostendorf, Elisa Plüss, Bettina Stucky
Uli Fussenegger, Hsin-Huei Huang, Claudia Kienzler, Michele Marelli, Sophie Schafleitner, Martin Veszelovicz

Introduction And Further Information

Introduction 45 minutes prior to show.

 

Artist talk 22nd of August after the performance.

 

Produced by Ruhrtriennale. In cooperation with Ruhr-Universität Bochum.

 

With kind support of Stiftung Pro Bochum.

 

Language information: German with English surtitles.

 

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